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[vyswx] Download Nouveau Boutique JNL fonts from Jeff Levine Fonts

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Designed by Jeff Levine, Nouveau Boutique JNL is an art nouveau and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 A light and playful sans serif type design with Art Nouveau influences was called “Tasso” within the pages of the 1893 edition of the Barnhart Bros. & Spindler type specimen book. This is now available as Nouveau Boutique JNL in both regular and oblique versions. Nouveau Boutique JNL Nouveau Boutique JNL

[eqwiu] Download Office Manager JNL fonts from Jeff Levine Fonts

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Designed by Jeff Levine, Office Manager JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 “Stillson” is an Art Nouveau-influenced font found within the pages of the 1881 Barnhart Bros. & Spindler type specimen book. The digital revival is called Office Manager JNL , and is available in both regular and oblique versions. Office Manager JNL Office Manager JNL

[umqlj] Download Office Space JNL fonts from Jeff Levine Fonts

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Designed by Jeff Levine, Office Space JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 Office Space JNL is based on “Condensed Edina” from the 1921 Miller & Richard type specimen book and is available in both regular and oblique versions. This spurred serif Art Nouveau monoline font is a milestone – marking the 1900th font design released by Jeff Levine Fonts since its inception in January of 2006. Office Space JNL Office Space JNL

[msqql] Download Pleasant Evening JNL fonts from Jeff Levine Fonts

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Designed by Jeff Levine, Pleasant Evening JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 Pleasant Evening JNL was modeled after an Art Nouveau serif typeface named ‘Racine’ [found in the 1881 Barnhart Bros. & Spindler type specimen book] and is available in both regular and oblique versions. Pleasant Evening JNL Pleasant Evening JNL

[lskax] Download Soup and Salad JNL fonts from Jeff Levine Fonts

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Designed by Jeff Levine, Soup and Salad JNL is a serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 Within the 1893 edition of the Barnhart Bros. & Spindler type specimen book is “Bisque”, a text and headline type face with a charmingly eccentric look.  Some upper case characters take on more of a squarer look than others, while the lower case has a higher ‘x’ height. This type revival is now available as Soup and Salad JNL in both regular and oblique versions. Soup and Salad JNL Soup and Salad JNL

[wpnnx] Download Austin Pro fonts from SoftMaker

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Austin Pro is a serif font family. This typeface has three styles and was published by SoftMaker . Download Now Server 1 Download Now Server 2 Download Now Server 3 Austin Pro can be used in newspapers and books. This typeface is fairly wide with detailed, delicate serifs; it also has short ascenders and descenders for economy of space. Austin Pro Austin Pro

[cshwz] Download Terafile fonts from Sudtipos

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Terafile is a sans serif and dingbat font family. This typeface has seventeen styles and was published by Sudtipos . Download Now Server 1 Download Now Server 2 Download Now Server 3 Terafile , a sans serif family designed by Raúl Plancarte who was inspired by hi-tech aesthetics. It is made up of eight weight variants with their respective italic versions. Ideally it works to capture in a graphic way the universe related to technology, sci-fi, industry and similar topics. It is a mixed family, because the construction of certain letters (as in “a”, “f”, “z”, “B”, “P”, among others) is enriched with different finishes in structure to gain differentiation and plasticity. In other words, it moves away from an entirely academic design. Another important line in the creative concept of this typeface is the function of its ink traps, which, in addition to fulfilling their primary function, serve to gain gestuality in its use. This font is capable of covering complex design needs by enablin